For every film critic, a personal history track runs parallel to the accepted broader historical one. The events that create our understanding of cinema are not necessarily concurrent with those that shape film history. For example, the year I generally credit as the one in which I started to think about film in a radically different way doesn’t necessarily hold any particular significance to the form itself. But for me, 1993 marks a turning point. I went from merely proselytizing … Read More
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